Tom
Erdelyi, better known as Tommy Ramone, the founding drummer and last
surviving original member of the Ramones, the New York City band whose
dizzying, short blasts of melody codified the sound of punk rock, died
on Friday at his home in Ridgewood, Queens. He was 65.
The
cause was cancer of the bile duct, his family said. Of the original
Ramones, Joey (the singer) died in 2001, Dee Dee (the bassist) in 2002
and Johnny (the guitarist) in 2004.
Mr.
Erdelyi played only on the band’s first three albums, “Ramones” in 1976
and “Leave Home” and “Rocket to Russia,” both from 1977. And he cut a
much more easygoing figure than his bandmates, who despite their
fraternal stage names were notorious for internecine feuds. Yet Mr.
Erdelyi played a crucial role in the sound and early development of the
band, which was started by the high school friends from Forest Hills,
Queens.
When
the group first came together in 1974, Mr. Erdelyi, who had some
experience in the music business as a recording engineer, was the
manager. Equally in love with hard rock’s buzz-saw guitar and the sunny
clarity of 1950s and ’60s radio pop, the four men, dressed in leather
jackets and ripped jeans like B-movie juvenile delinquents, opposed the
mellow singer-songwriters and opulent progressive rock that dominated
pop at the time.
In
the band’s earliest incarnation, Joey — real name Jeffrey Hyman — was
the drummer. But once it was discovered that Joey had the most capable
singing voice, he moved to lead vocals.
“We
started auditioning drummers, but they just couldn’t grasp the concept
of the band — the speed and simplicity,” Mr. Erdelyi said in a 2011
interview with the website Noisecreep. “So I’d sit down and show them
what we were looking for and the guys just finally said, ‘Why don’t you
do it?’ So I gave it a try and that’s when the sound of the band sort of
solidified.”
In
songs like “Beat on the Brat” and “Now I Wanna Sniff Some Glue,” the
nascent Ramones compressed nursery-rhyme chords into adrenalized blares,
and seemed to satirize the very ideas of teenage boredom and cheap
kicks. Playing regularly at the East Village bar CBGB, the band charged
through the set, pausing long enough between songs only for Dee Dee to
shout, “One, two, three, four!”
Official
songwriting credits were shared by the full band. But Mr. Erdelyi was
the primary author of several of the Ramones’ early classics, including “Blitzkrieg Bop,”
which opens their first album with the chant “Hey ho, let’s go!” and
features lyrics that boil teenage angst down to its most basic and
kinetic:
What they want, I don’t know
They’re all revved up and ready to go
He
was born Erdelyi Tamas on Jan. 29, 1949, in Budapest. His parents were
professional photographers. Most of the rest of his family died in the
Holocaust, he recalled in Steven Lee Beeber’s 2006 book, “The
Heebie-Jeebies at CBGB’s: A Secret History of Jewish Punk.”
He immigrated with his family to the United States in 1957 and changed his name to Thomas Erdelyi. In high school, he played guitar in a garage band called Tangerine Puppets with a schoolmate, John Cummings — the future Johnny Ramone.
cording engineer and worked at the Record
Plant studio in Manhattan. He was associate producer of the Ramones’
first album, which was produced by Craig Leon, and he was a co-producer
of the band’s next three records. Mr. Erdelyi left the band after
“Rocket to Russia,” released in 1977, to concentrate on producing. He
was replaced on the drums by Marc Bell, who took on the name Marky
Ramone.
Mr.
Erdelyi produced the Replacements’ “Tim” in 1985 and Redd Kross’
“Neurotica” in 1987. With Ed Stasium, he also produced the Ramones’ 1979
live album, “It’s Alive” — recorded in 1977 when Mr. Erdelyi was still
with the band — and “Too Tough to Die” in 1984.
In
the 2000s Mr. Erdelyi and his longtime companion, Claudia Tienan,
performed bluegrass-style music as the duo Uncle Monk, releasing a
self-titled album on their own label, Airday. Ms. Tienan survives him,
as does a brother, Peter.
The
Ramones, who were inducted into the Rock and Roll Hall of Fame in 2002,
were a quintessential rock group whose influence far exceeded record
sales.
The
group’s self-titled debut, which Rolling Stone magazine has ranked the
33rd greatest album of all time, peaked at No. 111 on Billboard’s album
chart. In April, 38 years after its release, it was certified gold by
the Recording Industry Association of America, recognizing that it had
finally sold at least 500,000 copies.
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